Luke Gibbons, PhD (TCD)
Third Year Co-Ordinator
Consultation Hours Academic Year 2012-13
Wednesday 12.00pm - 2.00pm, or by prior appointment.
‘Peripheral Visions: Revisiting Irish Modernism’, in Enrique Juncosa and Christina Kennedy, eds., The Moderns: The Arts in Ireland from the 1900s to the 1970s (Dublin: Irish Museum of Modern Art, 2011).
‘Mirrors of Memory: Ireland, Photography and the Modern’, in Enrique Juncosa and Christina Kennedy, eds., The Moderns: The Arts in Ireland from the 1900s to the 1970s (Dublin: Irish Museum of Modern Art, 2011).
‘Seeing and Time: James Coleman’s “Pheasant” ‘, in Enrique Juncosa and Christina Kennedy, eds., The Moderns: The Arts in Ireland from the 1900s to the 1970s (Dublin: Irish Museum of Modern Art, 2011).
‘Modalities of the Visible’, Introduction to Linda King and Elaine Sisson, eds., Ireland, Design and Visual Culture: Negotiating Modernity, 1922-1992 (Cork: Cork University Press, 2011)
‘ “Words Upon the Window Pane”: Image, Text, and Irish Culture’, in James Elkins, ed., Visual Cultures (Chicago: Intellect, 2010).
‘Form, Fiction and Irish Modernity: Some French Connections’, in Eamon Maher and Eugene O’Brien, ed., War of the Words: Literary Rebellion in France and Ireland (Rennes: TIR, 2010).
‘The Addressivity of the Eye: James Coleman’s “Connemara Landscape”’, Field Day Review 6 , 2010.
‘ “Famished Ghosts”: Bloom, Bible Wars, and “U.P. up” in Joyce’s Dublin’, Dublin James Joyce Journal, 2 (2010).
‘Roots of Modernity: Primitivism and Primitive Accumulation in Nineteenth-Century Ireland’ in Maureen O’Connor, ed., Back to the Future of Irish Studies (Oxford: Peter Lang, 2010).
‘Romanticism in Ireland, 1750-1840’, in James Chandler, ed., Cambridge History of Romanticism (Cambridge University Press, 2009).
“Sight Specific”: James Coleman’s “Connemara Landscape”’, in Jacques Ranciere, et al., James Coleman: Retrospective (IMMA, 2009).
‘From Innisfree to Monument Valley: Irishness and Ritual in John Ford’s Westerns’, in Sean Crosson and Rod Stoneman, eds., The Quiet Man . . . and Beyond: Reflections on a Classic Film, John Ford and Ireland (Dublin: Liffey Press, 2008).
‘Peripheral Modernities: National and Global in a Post-Colonial Frame’, in Keith Hanley and Greg Kucich, eds. Nineteenth-Century Worlds: Global Formations Past and Present (Routledge, 2008).
Critical Review, F.P. Lock, Edmund Burke: 1783-1797, Vol II (Oxford University Press, 2008), in American Historical Review, 113 (April, 2009).
‘Mourn – and Then Onward!’ Review article of Jonathan Lear, Racial Hope, Field Day Review, 4 (Summer 2008).
'Ghostly Light': Spectres of Modernity in James Joyce's and John Huston's "The Dead", in Richard Brown, ed., A Companion to James Joyce, Blackwell, 2007.